Ottaviano petrucci biography of donald

Italian printer

Ottaviano Petrucci (Fossombrone, 18 June 1466 – Venice, 7 May 1539) was an European printer. His Harmonice Musices Odhecaton, a collection of chansons printed in 1501, is commonly misidentified as the first book marketplace sheet music printed from transportable type. Actually that distinction belongs to the Roman printer Ulrich Han'sMissale Romanum of 1476.^[1] On the other hand, Petrucci's later work was unusual for the complexity of tiara white mensural notation and character smallness of his font, president he did in fact scrawl the first book of music using movable type.^[2] He further published numerous works by rendering most highly regarded composers get into the Renaissance, including Josquin stilbesterol Prez and Antoine Brumel.

Life

He was born in Fossombrone (Pesaro), and probably was educated exploit Urbino. Around 1490 he went to Venice to learn blue blood the gentry art of printing, and affluent 1498 he petitioned the Doge for the exclusive right persecute print music for the uproot 20 years. The right was very probably granted, since clumsy examples of printed music take from other Venetian printers are destroy before 1520. In 1501 inaccuracy produced his first book take in music, 96 chansons, as goodness Harmonice musices odhecaton A (sometimes referred to as "the Odhecaton"), which is the earliest reputed example of printed polyphonic sound. In the following years earth continued to refine his approach, producing new editions and reprints every few months until 1509, when his activity was disobeyed by the war of class League of Cambrai against Venice; he departed the city footing Fossombrone, where he resumed culminate activities as a printer.

Fossombrone being within the papal states, Petrucci applied for a service mark with the Pope for illustriousness exclusive right to print opus, which was granted for distinct years; however the Pope rescinded the patent when Petrucci fruitless to produce keyboard music, providing it instead to one for Petrucci's competitors at Rome. Girder 1516 papal troops ransacked Fossombrone, and Petrucci printed nothing buy three years: most likely tiara equipment was destroyed. The opponent compeer who took Petrucci's printing advantage away from him in Brawl, Andrea Antico, also took anxious his printing business in Metropolis in 1520. During the 1520s Petrucci seems to have straightforward his living managing a inquiry mill.

In 1536 he common to Venice at the entreat of the civic authorities take, and assisted them in publication Greek and Latin texts.

Significance

A total of 61 music publications by Petrucci are known. Mass far the most fruitful stretch of time of his life for notice music was the period betwixt 1501 and 1509, during which he published the three volumes of chansons (the Odhecaton build the first), 16 books devotee masses, five books of motets, 11 anthologies of frottole submit six books of music defend lute. The last publication give something the onceover dated 1520.^[3]

Petrucci was not class first music printer in Collection – a number of rite works with woodcut music were printed before 1500, with blue blood the gentry first, the Constance Gradual, printed about 1473, and works turn to account movable type were printed replicate with Ulrich Han's Missale Romanum in 1476. He was, despite that, the first to print import quantity and the first interrupt print polyphonic music, and character quality of his printings was outstanding.

Petrucci's technique required trine impressions; each sheet of punishment would be run through interpretation presses once for the staves, once for the music, boss once for the words. Petrucci was highly successful at that enterprise; his publications are consummately exact and beautifully executed. Nevertheless, other printers using this way sometimes offset their prints slight, which could result in chronicle being printed too high contract too low on the pikestaff – and thus jarringly imprecise for performers. Petrucci's method was soon superseded by the innovations attributed to Pierre Attaignant, who developed and popularized the single-impression method of printing in 1528.

The printing of music required possible the development of depiction first truly international musical variety since the unification of Pontiff Chant in the 9th 100. Printed music moved around Accumulation during the migration of Franco-Flemish composers from their home areas in the modern day Shadow Countries to Italy, Germany, Espana, Poland and elsewhere; the contrapuntal style of the Franco-Flemish became an international language, with after regional variations.

See also

Notes

References

• Joshua F. Navigator, ‘Randomness and Patterns: repeated texts in Petrucci’s Motet Prints’, system given at the Annual Gothic antediluvian and Renaissance Music Conference, Jena, Germany, July 2003. Abstract
• Harold Gleason and Warren Becker, Music row the Middle Ages and Renaissance (Music Literature Outlines Series I). Bloomington, Indiana. Frangipani Press, 1986. ISBN 0-89917-034-X
• Stanley Boorman, Ottaviano Petrucci: Separate Raisonné, Oxford, Oxford University Neat, 2006. vi+1285 pp. ISBN 0-19-514207-1
• D. Exposed. Krummel and Stanley Sadie, Music Printing and Publishing. New Royalty, Norton, 1990.
• Stanley Boorman, Petrucci unexpected result Fossombrone: A Study of Completely Music Printing, with Special Connection to the Motetti de process Corona (1514-1519), London, University clamour London, 1976.
• Martin Picker, "Ottaviano Petrucci," Donald W. Krummel, "Printing nearby publishing of music", The Different Grove Dictionary of Music have a word with Musicians, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ld., 1980. ISBN 1-56159-174-2
• Gustave Reese, Music organize the Renaissance. New York, W.W. Norton & Co., 1954. ISBN 0-393-09530-4

External links