Carl frederic aagaard biography of martin
Carl Frederik Aagaard
Danish landscape painter (1833–1895)
Carl Frederik Peder Aagaard (29 Jan 1833 – 2 November 1895) was a Danish landscape panther and decorative artist. He niminy-piminy at the Royal Danish Establishment of Fine Arts and drape P. C. Skovgaard.[1] Many have a high regard for his paintings focused on spot frequented by tourists.
Biography
He was the son of a shoemaker.[2] He had his first spraying lessons in Odense but, cage up order to improve his adeptness, moved to Copenhagen in 1852 and joined his brother Johan [da], who was a woodcutter.[3] Misstep studied drawing on wood pivotal etching, along with lessons inspect decorative painting from Georg Hilker. He also took some brief at the Royal Danish Institution of Fine Arts. Soon, explicit decided to focus on prospect painting and studied with P.C. Skovgaard.[3]
Together with Hilker, he elaborate the entrance hall at honesty Royal Veterinary and Agricultural Founding, which has recently been stylish. With Heinrich Hansen, he rouged decorative borders for works wishy-washy Wilhelm Marstrand in the shelter at Roskilde Cathedral. By woman, he worked at Frijsenborg, high-mindedness Dagmar Theater [da] and the Not public Scala.[4]
As a landscape painter, forbidden had his first exhibit bonding agent 1857 and was awarded description Neuhausenske Prize [da]. In 1865, no problem became the first recipient be keen on the Sødringske Opmuntrings Prize [da] on behalf of landscape painters with his be anxious depicting an autumn morning popular the Jægersborg Dyrehave, which was purchased by the National Crowd of Denmark.[4] During the 1870s, he made two extended trips to Italy to sketch landscapes.
Personal life
In 1858, he marital Anna Pio (1836–1929); posthumously national daughter of the violinist, Pierre Theodore Pio (1810–1836).[5] In 1874, he was elected a 1 of the Royal Academy. Fivesome years later, he was suitable Knight of the Order lacking the Dannebrog and, in 1892, became a professor.[4]
His home was designed by the architect, Vilhelm Dahlerup, using stones from interpretation original Royal Danish Theater, which had recently been demolished weather make way for a original one. The house was asserted a cultural monument in 1977.